4991 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.99Challenge 5 — slash-chord composition
Write four chords where:
- RH moves minimally
- bass creates most of the harmonic change
- at least one chord is a major triad over a non-chord bass
- melody uses one common tone
This is a direct arranging exercise.