4957 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.65Level 27 — upper structure sequence
Keep bass moving:
E♭ → F → G.
RH triad follows:
D♭ → E♭ → F.
Now use a melody motif transposed with the upper triad.
The whole passage becomes a sequence.