4917 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.25Upper map second
Now omit bass.
Play RH chord shapes.
Listen to:
- common notes
- parallel motion
- semitone motion
- shape repetition
Often the RH harmony tells a completely different story from the bass.