4939 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.47Level 17 — sus-to-dominant conversion
Play:
F/G
then:
G7.
RH:
F-A-C
→ F-G? Better reduce:
F-A-C
then change C→B:
F-A-B.
Bass G.
Critical movement:
C → B.
Then resolve C major.
This should now be one of your automatic sounds.