4903 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.11This should become a shape
Do not calculate:
“♭7, 9, 11.”
Eventually see:
major triad one whole step below bass = sus sound.
That is exactly the kind of compression we want.