4971 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.79Level 38 — two-stage attack
Try:
LH bass.
A fraction later:
RH chord.
Now the listener hears:
bass identity
then color.
Very effective for ambiguous sonorities.