4940 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.48Now delay the conversion
Hold F/G for two bars.
Then C→B only at the last moment.
Then C tonic.
Because sus stability lasted longer, the 3rd's entrance becomes dramatic.