4920 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.28This exercise is enormously important
Do it with many triads.
For one RH triad:
change bass chromatically.
You will discover dozens of useful colors.
This is one way arrangers find harmony by ear rather than from textbooks.