4918 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.26Then combine them
This is where the richness appears.
You may discover:
bass hardly moved,
while upper harmony changed dramatically.
Or:
RH barely moved,
while bass reinterpreted the same notes.
Both are powerful techniques.