4949 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.57Add second inner voice only if needed
This is especially useful for “Naima”-type harmony.
Because the bass/melody relationship already carries enormous information.
Less can sound more sophisticated.