4995 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.103Mini-composition exercise
Write 12 bars.
Rules:
- no more than four distinct RH chord shapes
- bass must create at least half of the harmonic change
- one pedal must last at least three bars
- one melody note must remain unchanged across three harmonies
- one sus sonority must never resolve
- one sus sonority must eventually convert to a conventional dominant
This forces you to control ambiguity versus function deliberately.