14206 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.59Level 41 — intro morphs into bass
Intro motif in RH.
Theme begins.
Same motif moves to LH.
Role transfer maintains continuity.