14150 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.3If everything changes
New:
- key
- meter
- groove
- motif
- register
- texture
- dynamics
then the listener may hear:
a new piece.
That can be intentional.
But if continuity matters, preserve something.