14162 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.15Level 9 — bass transition
C → B → B♭.
If B♭ becomes dominant of E♭:
the bass itself can move:
old tonic → pivot area → new dominant.
Then:
E♭.