14313 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.166Mini-project 1 — Transition Laboratory
Take an A and B section from your original composition.
Create five transitions:
1. Direct
hard cut.
2. Harmonic
pivot/dominant.
3. Melodic
motif bridge.
4. Bass-led
bass changes first.
5. Rhythmic
groove morph.
Do not change A or B.
Compare how the same sections acquire different relationships.