BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
14333 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →

109.186The introduction hierarchy

Before adding an intro ask:

  1. Does the piece need one?
  2. What must listener know before melody?
  3. Should tonic be revealed or withheld?
  4. Should pulse exist immediately?
  5. Can intro derive from later material?
  6. How does the theme know when to enter?