BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
14157 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →

109.10Level 5 — modal section into functional cadence

Reverse.

Start:

C pedal with B♭/C and F/C.

Introduce:

G7sus.

Then:

G7.

Then:

C.

The arrival of B natural inside G7 restores:

functional leading-tone gravity.