BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
14316 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →

109.169Mini-project 4 — Coda from Memory

Your coda may introduce no completely new motif.

It must use:

  • opening motif
  • bass motif
  • hidden inner line
  • characteristic cadence

Create a new conclusion from old DNA.