14263 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.116Level 89 — coda in new key
Possible, but dangerous.
If main form closes in C and coda moves to E♭:
why?
Perhaps E♭ was foreshadowed throughout.
Then it can feel like:
transcendence/new destination.
Without groundwork:
arbitrary.