14161 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.14Level 8 — chromatic inner-line transition
A: C major.
B: A minor.
Use inner line:
E → E♭ → D → C♯.
Then C♯ can lead:
D?
Or perhaps use E→D♯→D→C♯ leading toward E7/A minor depending design.
The principle:
inner motion can prepare tonal reorientation.