BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
14161 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →

109.14Level 8 — chromatic inner-line transition

A: C major.

B: A minor.

Use inner line:

E → E♭ → D → C♯.

Then C♯ can lead:

D?

Or perhaps use E→D♯→D→C♯ leading toward E7/A minor depending design.

The principle:

inner motion can prepare tonal reorientation.