682 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →
15.51Over ♭VII
If:
B♭ → F → C
and you're broadly in C major, the note B♭ is now important.
Do not play B natural mechanically through B♭ harmony unless you deliberately want tension.
Again:
follow chord tones first.