644 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →
15.13Borrowed chords often weaken classical function but enrich color
This is important.
In strict major-key harmony:
G7 → C
is strongly functional.
But:
B♭ → C
is more modal.
It can still sound good, but its logic is not the same dominant-resolution logic.
So ask:
Is this chord creating directional tension, or is it creating color?
Borrowed chords often do the latter.