673 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →
15.42Build a minor-plagal ending
Try:
Dm7 → G7 → Cmaj7 → Fmaj7 → Fm6 → Cmaj7
This gives:
ii → V → I → IV → iv → I
The final:
F → Fm → C
adds emotional afterglow after the main cadence.
Very useful in ballads.