635 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →
15.4Why F → Fm → C works so beautifully
F:
F A C
Fm:
F A♭ C
C:
C E G
Only one note changes at first:
A → A♭
Then A♭ resolves naturally:
A♭ → G
So the important inner line is:
A → A♭ → G
This is exactly the kind of semitone voice leading we've been emphasizing.