BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
656 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →

15.25Chromatic mediants are not the same as secondary dominants

Important distinction.

E7 → Am

has strong functional direction.

E7 is dominant of A.

But:

C → E major

may simply be a chromatic color shift.

So secondary dominant:

function-driven

Chromatic mediant:

often color-driven

Both can involve chromatic notes, but for different reasons.