BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
8418 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →

67.90Mini-composition exercise

Write 32 bars where the bass is designed before the chord symbols.

Requirements:

  • one diatonic descending bass line
  • one chromatic ascending line
  • one tonic pedal of at least four bars
  • one circle-of-fifths bass sequence
  • one bass enclosure into a structural root
  • one fixed RH voicing over at least three different bass notes
  • one contrary-motion passage between melody and bass
  • one passage where a moving bass remains ornamental within one harmony
  • one phrase where bass arrives before RH harmony
  • one final cadence created primarily by semitone bass motion

Only after the bass and melody are satisfactory should you write chord symbols.