8337 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.9Level 3 — I to IV through bass
C → B → B♭ → A.
Suppose eventual destination is:
F/A or F.
This descending chromatic line can generate several harmonies.
For example:
C
G/B
C7/B♭
F/A.
Bass:
C-B-B♭-A.
Very smooth.