8412 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.84Challenge 5 — no root-position chords
Eight-bar progression.
Every harmony must use either:
- inversion
- pedal
- slash chord
- non-root bass
except final tonic.
This reveals how dramatically bass placement changes familiar harmony.