8336 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.8Important reversal of thinking
Instead of memorizing:
“put ♯I°7 between I and ii,”
hear:
“I want the bass to climb chromatically from C to D.”
Then:
C♯°7
is one elegant harmonization.
Much more musical.