BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
8388 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →

67.60Level 29 — ostinato reharm

LH repeats:

C-G-B♭-G.

RH melody continues.

Instead of following every original chord root, reinterpret melody over C7/modal field.

Now you have changed harmony by refusing original bass movement.

Very useful for funk transformations.