8370 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.42But soften it
Bass remains:
E-A-D-G-C.
Harmony:
Em7
A7
Dm7
G7
Cmaj7.
Now:
ii–V packets emerge.
Same bass direction.
Different functional intensity.