8366 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.38Level 17 — parallel bass and melody
Contrary motion is not always best.
Sometimes parallel motion gives strength.
Melody:
C-D-E-F.
Bass:
C-D-E-F.
Different octaves.
Then harmonize each.
This can sound:
anthemic
modal
folk-like
or planed.