8349 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.21Level 9 — pedal then release
Keep C bass for four bars.
Then finally move:
G → C
or:
D♭ → C.
Because the bass was static, the eventual movement feels enormous.
This is form through bass activity.