8396 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.68Level 35 — double approach
Target F.
Bass:
G♭ → E → F.
Try:
G♭7
C7/E
F.
Now bass itself performs an enclosure.
This is analogous to melodic enclosures around chord tones.