8025 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.95Apply it to “Happy Birthday”
Use the melody as the top voice.
For a Lydian version:
C bass.
Where melody permits, harmonize with:
C major
or:
D major upper structure.
A melody note A can become:
13 of C
and top of D major.
A melody note F♯—if deliberately altered in a transformation—can become ♯11.
Then return to ordinary C at the end.
The contrast will be enormous.