8009 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.79Level 37 — remove the shell
Now play:
F bass.
G-major triad only.
Does F7 identity remain obvious?
Not completely.
It may sound like G/F suspended/Lydian color.
Adding:
A or E♭
clarifies dominant function.
This demonstrates:
upper structures provide color;
guide tones provide identity.