7936 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.6But there is a problem
F = 11.
Against:
E = major 3rd.
Those can clash if held tightly.
That doesn't mean D minor is “wrong.”
It means:
context and duration matter.
Use F melodically.
Or omit E in a voicing.
Or treat C as a suspended environment.