8012 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.82Don't resolve complexity into complexity
If dominant is:
highly altered
triad-pair dense
rhythmically displaced,
then tonic arrival may be:
one simple Cm9.
That contrast makes the cadence stronger.