7974 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.44This introduces a useful distinction
Sometimes you need:
one upper-structure triad
rather than a full triad pair.
For F7♯11:
LH: F plus shell A-E♭.
RH: G major:
G-B-D.
Now you get:
9, ♯11,13.
Beautiful.