7963 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.33Triad pair #5 — altered dominant
Now the powerful one.
Use:
G7alt → Cm.
From G altered:
G A♭ B♭ B D♭ E♭ F.
We want to reorganize some of those tensions into simple triads.
One useful conceptual pair:
A♭ minor + B♭ minor shapes can supply strong altered material, though context and enharmonic spelling matter.
Let's look more practically.