7985 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.55Level 19 — rhythmic organization
Take C Lydian pair.
Play one triad as:
three eighths.
The other as:
three eighths.
You create a six-note phrase.
Over 4/4, that phrase may cross normal beat groupings.
Now harmonic organization and rhythmic displacement interact.