8805 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.77Level 58 — repeated-note melody laboratory
This is ideal.
Main melody:
G-G-G-G.
Counterline:
E-F-F♯-G.
Bass:
C-A-D-G perhaps.
Now the harmony develops almost entirely through secondary voices.
This is a great arranging drill.