8787 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.59Level 44 — countermelody crossing harmonic boundaries
Do not force the line to stop every time chord changes.
A strong secondary melody may begin over one chord and resolve over the next.
This creates horizontal continuity.