8788 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.60Example
Over Dm7:
counterline starts A-G.
Over G7:
continues F-E.
Then over C:
lands E or G.
The line crosses the barline.
Much more natural than restarting at each chord.