8760 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.32Level 19 — counterline based on motif
Take a three-note motif:
C-E♭-G.
Use it as secondary material.
Main melody continues normally.
Counterline inserts:
fragment
sequence
inversion
during gaps.
Now the arrangement gets thematic unity.