8793 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.65Level 47 — sixths as semi-independent voices
Main melody and lower harmony in sixths can temporarily act like two voices.
Then split:
upper continues.
lower line changes direction.
This is a nice transition from harmonized melody into true counterpoint.