8758 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.30Level 18 — anticipation
Counterline moves early into a note belonging to the next harmony.
For example:
Dm7 → G7.
Counterline reaches B slightly before G bass arrives.
Now upper voice predicts the dominant.
This is sophisticated and musical.