8790 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.62Strong-beat discipline
As a starting rule:
strong metric positions:
prefer consonant/structural notes.
weak positions:
more freedom.
Then deliberately violate this later.
This keeps the counterline grounded.