8797 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.69Level 51 — common-tone countermelody through modulation
Hold one note common to both keys.
Other voices move.
The held inner/top note becomes a bridge.
Workshop 60 again.