2307 / 18210 · Workshop 3 — I–vi–ii–V: Turnarounds, Standards, and Making Four Chords Do a Lot← prev⊞ allnext →
3.86Build a complete mini-standard
Form:
Intro
Cmaj7-A7-Dm7-G7.
A1
simple I-vi-ii-V melody.
A2
same melody with one substitution.
B
relative minor or IV-centered contrast.
Final A
return to original.
Tag
A7-Dm7-D♭7-C6/9.
Now you've created something structurally resembling a real standard.